Thursday, March 29, 2012

Classical Vocal, Sulochana Brahaspati


Sulochana Brahaspati is one of the most well known, and the only woman exponent of the Rampur Gharana of Hindustani Shastriya Sangeet. She received training in vocal music from Pandit Bholanath Bhatt of Allahabad and Ustad Mushtaq Hussain Khan of Rampur. Later she received further training from her illustrious husband, the late Acharya K.C.D.Brahaspati.

Sulochana Brahaspati’s performances are distinguished by the richness of her voice and the intricacies of her taans. The Alap and Dhrupad Ang are pronounced in her music. Her rendering of Dhrupad, Khayal, Thumari, Dadra and Tappa singing is steeped in tradition and shows sparkles of a great maestro.

Over the last four decades she has made her presence felt all over the world with performances in Russia, Hungary, Mongolia, Nepal, Germany, UK, France, Holland, Italy, Czech Republic and other European countries. For several years she collaborated with French musicians to create a magical fusion of Indian classical and French music.

Sulochana Brahaspati has been honoured with countless awards:
  • The Dagar Samman in 2007
  • The Tansen Samman in 2006
  • The National Sangeet Natak Academy Award by the President of India in 1994
  • The Uttar Pradesh Sangeet Natak Academy Award in 1984, to name a few.

She also represented India at the Millennium Celebrations held in Paris at the turn of the century.

Her book entitled “Khusro, Tansen Tatha Anya Kalakar” awarded the ‘Best Book of the Year’ by The Authors’ Guild of India.

Sulochna Brahaspati stands forth today as one of the foremost classical vocalist in the country today. She is accompanied by Sri Bharat Bhushan on the Sarangi and  Sri Jai Shankar on the Tabla.

Wednesday, March 21, 2012

The Achivements of SPIC MACAY, Uttarakhand 2011 -12


With the active support of the Chairperson, all members of the State Advisory Board  our well wishers and our volunteers, the  SPIC MACAY movement succeeded in conducting nearly 300 programs in various regions of Uttarakhand. These included programs of classical music and dance, folk art forms, Heritage walks, and screening of Heritage films.

It is with a great sense of pride and honor that we inform that the 19th Rajiv Gandhi National Sadbhavana Award has been conferred on SPIC MACAY. The award was instituted by Indian National Congress to commemorate the ever lasting contribution made by the former Prime Minister, (Late) Shri Rajiv Gandhi to promote peace and communal harmony amongst youth.

The award which was presented by Dr. Manmohan Singh, Prime Minister of India, to Dr. Kiran Seth in August 2011 carries a citation and a cash award of Rs 5 lacs. It is indeed a priviledge and a humbling experience to join such illustrious luminaries as Mother Teresa, Ustad Bismillah Khan, Lata Mangeshkar, and many others who have received the award in the past.

The report:-

1.  With the grant of Rs 50,000, kindly provided by H.E. the Governor of Uttarakhand, Mrs. Margaret Alva, a projector along with speakers and a laptop was bought.  This helped us in screening 55 heritage films  in various schools and colleges These included films made by famous directors like, Satyajit Ray, Charlie Chaplin, Akira Kurusawa and Shyam Benegal

2.  H.E. had emphasised on involving youth in the restoration of archaeological treasures.  Keeping that in mind, heritage walks were conducted for various schools with the help of the Archaeological Survey of India, at the,Jhanda Sahib,of Sri Guru RamRai Darbar Khalanga Park and the historical Nala Pani forest.

3.  With the kind support of Education Secretary Mrs. Manisha Panwar, 32 concerts were held in government schools of the State. Official letters from the Department of Education to these institutions were of great assistance in organizing these programs.

4.  Ms Beena Bhatt, Director Culture, helped in getting the grant of Rs.5 lakhs that was sent to the central office of SPIC MACAY at Delhi. The department of culture also sponsored the Folk group from Hanol that performed in institutions in and around Dehradun. We thank the department for its support and hope to spread the folk culture of Garhwal in urban Uttarakhand as well as in the rest of the country.

 5.  Chairman of Unison Education Society, Mr.Amit Agarwal’s unconditional patronage to the movement is worth mentioning.  With his support 15 programs were held in the society’s institutions.  He helped in sponsoring a SPIC MACAY event in the lawns of MAHAR Hospitality Academy which was attended by students from 16 institutions. We hope to make this into a regular event on the lines of Music in the Park series and get legendary artistes to perform for the students and citizens of the Doon Valley.

6.  Mr.Arun Dhand, Director, Petroleum University, prepared an approach note for creating a structured SPIC MACAY Chapter on the campus of each College/school of Uttarakhand.

7.  Prof Girijesh Pant, Vice Chancellor, Doon University, responded to the approach note by starting a SPIC MACAY Chapter, which conducted five concerts and a heritage film festival at the Doon University. The University also provided hospitality to the artistes.

8.  Mrs Ranjana Chopra, Joint Director, LBSNAA, continued her unstinted support to SPIC MACAY, and conducted 9 programs at the Academy. The academy paid for the fare and air travel of the artistes which was of immense help to the Dehradun Chapter.

9.  As the DM of Pauri , Mr Dilip Jawalkar, helped in the hospitality of artistes visiting Pauri by providing accommodation at the Circuit House. He coordinated with local schools as well as with the DM of Chamoli who assisted in increasing our reach in the region.

10.  Ms.Chhaya Khanna, head of CBSE schools sent a letter to all CBSE schools of Dehradun, directing them to have SPIC MACAY programs as a regular part of their school curriculum. 22 programs were held in CBSE schools in the region.

11.  Mr.David Hilton, head of ICSE schools sent a similar letter to all the council schools of Dehradun, He invited SPIC MACAY to give a presentation at the Principals' meeting held in Carman School, Premnagar in September. Following this, there was an increase in SPIC MACAY activities in the schools and a total of 79 programs were held in the council schools in Dehradun.

12.  Mr. J. M. Rawat, Asst. Commissioner Kendriya Vidyalaya  Sangathan, appointed a DO for all the Kendriya Vidyalaya’s of the district who helped in conducting concerts by 13 artistes in 18 Kendriya Vidyalayas in Uttarakhand. We were invited to do a presentation at the Regional Principals meet of the Kendriya Vidyalayas on 31st of July, which was attended by 53 Principals of the region.

13.  With the support of Dr.Chakravorty, Senior Professor from IIT Roorkee,  19 programs of 9 artistes were held at the IIT and  surrounding schools and colleges. 
14.  Mr. Satish Sharma, Editor and proprietor, Garhwal Post, gave generous support to the movement all the year round through his newspaper, Garhwal Post. He publicized and covered all the programs conducted by SPIC MACAY and provided stationary and complimentary space for posters.

15.  Mr Ajit Singh continued to support the artistes by providing instruments whenever required, displaying posters and at times sponsoring advertisements of SPIC MACAY events. Several artistes make it a point to pay their respects to Ajit ji and visit him at the Partap music house.

16.  Mrs. Priya Chaturvedi, Director, Department of Music, The Doon School, helped reinforce activities of SPIC MACAY in The Doon School.  

17.  Mr.Hemant Kochar, Director of Madhuban Group, provided hospitality and complimentary stay for some of the artists. He supported the Concert by Ustaad Shujaat Khan that was held at the Mahar Academy in November and was attended by over a thousand students from various colleges.

18.  We were happy to include the ITBP Training Academy as a part of SPIC MACAY program venues. With the help of DIG Sanjay Singhal 6 programs were held at the ITBP training centres at Dehradun, Mussoorie, Gauchar and Joshimath. Excellent accommodation and facilities were provided to the artistes.

19.  Training institutions like the ONGC Acedamy, Indian Military Academy, Indian Institute of Remote Sensing, Indira Gandhi National Forest Academy supported SPIC MACAY by having regular programs and providing artistes hospitality.

20.  In Kumaon, 29 programs were conducted in 12 institutions. Regions like Rudrapur, Almora, Ghorakhaal, Peorah, Majkhali and Ranikhet were covered.

21. 26 volunteers from Uttrakhand attended the SPIC MACAY National Convention at the Ravenshaw University, Cuttack and 6 students attended the Gurukul Scholarship under great Gurus in the field of Clasical music, dance and social work.

In the last year we have set up our own blog, facebook page. This has allowed us seemless communication among members, better accessibility and platforms for wide publicity.

This report is incomplete without a special mention of the volunteers. As you all are aware that SPIC MACAY is a voluntary organization, it would not have been possible for the Uttarakhand chapter to organize so many programs without the untiring efforts of our numerous volunteers.  

Travelling the length and breadth of the state, escorting great artists to the humblest of venues, keeping late hours and giving their most valuable commodity, their time - they are the backbone and support of the SPIC MACAY movement in our State.

These young and (not so young!)  men and women, labour not for self , but for an idea -  that a nation's  cultural heritage is worth saving,  and that the custodians of its heritage are its future guardians.  

Friday, February 3, 2012

Bharatanatyam by Pratibha Prahlad

After the soulful Gurmat Sangeet by Prof. Alankar Singh, we are hosting a two day event of Bharatanatyam by Pratibha Prahlad, a cultural visionary, besides being a star performer of Bharatanatyam, her contribution to the field of arts is profound and unparalleled in contemporary dance history.

Starting her performance career at the age of 6, she was hailed a star before she turned 20. Educated, erudite and original, Prathibha has done pioneering work in dance choreographies that combine different classical styles seamlessly and project the unifying thread of Indian dance traditions.  With her innovative creativity that transcends the mechanical in the traditional framework, Prathibha’s robust choreographic works have been emulated by many of her peers in the field

She combines in herself various roles of performer, teacher, choreographer, researcher, cultural organizer, arts administrator and media person to all of which she brings exacting standards. Her passionate belief in the strength of traditional forms combined with a contemporary understanding of the changing dynamics in the art world   give Prathibha’s dance an aesthetic and immediate appeal. A post graduate degree in Mass Communications, and in English Literature and an enviable experience in the performance, print and television media add to her distinction as an arts interlocutor. 

Prathibha writes articles in leading newspapers and is a frequent invitee to seminars and other academic activities internationally. She has produced, directed and acted in television serials. Prathibha Prahlad has also authored a book on Bharatanatyam.

Prathibha has had the fortune of training under some of the best dance Gurus that the country has ever seen-Guru Sri. V.S.Muthuswamy Pillai, Guru Smt. Kalanidhi Narayanan, Smt. & Prof. U.S. Krishna Rao and Dr. Vempatti Chinna Satyam.

Prathibha Prahlad heads the Prasiddha Foundation which has established itself as one of the premier cultural organization of the country. Through her Organization, she has championed the cause of arts relentlessly and even procured train travel concessions for all artistes traveling for performances. 

Prathibha Prahlad conceived and actualized India’s most prestigious multi-art Festival – the Delhi International Arts Festival of which she is the Festival Director. She was also nominated as the Convener of the ceremonies, ceremonial and culture Committee of the Commonwealth Games 2010.

Friday, January 27, 2012

Gurbani by Prof. Alankar Singh

We would like to inaugurate the New Year with the auspicious Gurbani by Professor Alankar Singh!

Prof. Alankar Singh has been working as Asst. Professor of Music (Vocals) in Punjab University, Patiala. He started learning music at the tender age of four years. He received training in Classical (Vocals) Music and Gurmeet Sangeet under Guru Shishya Parampara, continuously for about eleven years from Gurmat Sangeet Acharya Late Professor Tara Singh Ji, a renowned musicologist and composer, who belonged to Gwalior tradition of Khayal Gayaki.

He was selected under the Cultural Talent Search Scholorship Scheme by the Center for Cultural Research and Training, Government of India, in the field of Classical (Vocal) Music and got National Scholorship during 1985 - 1993.

Besides being an expert in Notation, Music Composer and Music Arranger, Alankar Singh is an approved artist of All India Radio and Doordarshan for Classical Music, Shabad Gayan, Bhajan, Geet and Ghazal singing.

Alankar Singh has given more than 300 public performances of Gurmat Sangeet and Classical Music. He has the privilege of performing at four  Takhats of Khalisa Panth. U.K. based Channel Punjab did video recording of 13 Shabads in prescribed Ragas in 2006 & 2007 and has been regularly telecasting these since then in Europe.

Please check the calendar on the right hand panel for details of the venues along with date and time!

Monday, December 26, 2011

SPIC MACAY NATIONAL SCHOOL INTENSIVE


Schedule for Webcast is as follows 
24-Dec-11
  • Welcome Address, Orientation and Session on Christmas 1:30pm to 5pm
  • Concerts: Pt. Vishwa Mohan Bhatt and Us. Abdul Rashid Khan 6 pm to 9:30 pm
  • 25-Dec-11
  • Intensives with Maestros 9 am to 12 pm
  • Talk: Smt. Shanta Serbjeet Singh 1:30 pm to 2:30 pm
  • Concerts: Sh. Venkatesh Kumar and Pt. Birju Maharaj 6 pm to 9:30 pm
  • 26-Dec-11
  • Intensives with Maestros 9 am to 12 pm
  • Folk: Smt. Reshma Musale (Lavani) 1 pm to 2:30 pm
  • Concerts: Pts. Rajan & Sajan Mishra and Sh. Kalamandalam Gopi 6 pm to 9:30 pm
  • 27-Dec-11
  • Intensives with Maestros 9 am to 12 pm
  • Folk: Smt. Manjusha Patil-Kulkarni (Natya Sangeet) 1 pm to 3 pm
  • Concerts: Dr. N Rajam and Sh. Uday Bhawalkar 6 pm to 9:30 pm
  • 28-Dec-11
  • Intensives with Maestros 9 am to 12 pm
  • Talk: Sh. Dadi Pudumjee 1:30 pm to 3 pm
  • Concerts: Vd. T.N. Seshagopalan and Sh. Bahauddin Dagar 6 pm to 9:30 pm
  • 29-Dec-11
  • Intensives with Maestros 8:30 am to 11:30 am
  • Intensive presentations 11:30 pm to 1:30 pm
  • Concerts: Prof T.N. Krishnan, Vid. Shruti Sadolikar, Pt. Hariprasad Chaurasia and Vid. Ashwini Bhide-Deshpande 3:30 pm to 9:30 pm

Tuesday, December 20, 2011

In The Hills of Garwhal - Mahua Shankar and Spicmacay Doon Team


We are happy to let you know that SPIC MACAY ,Dehradun conducted a very special concert tour by Mahua Shankar , who gave  nine Kathak recitals in different parts of Garhwal between the 9th and 13th of December.



Eight of the concerts were held in schools of Rural Garhwal where a SPIC MACAY concert took place for the very first time .
She reached out to thousands of fascinated students ranging from a Primary School in Gauchar to the trainees of ONGC at Dehradun . Seven  of the venues were Govt Schools /Institutions 





After several years  , SPIC MACAY held a concert at the very prestigious HNB Central Garhwal University at Srinagar. 
As you can see from the photographs , Mahua and her team performed close to Badrinath and Kedarnath ! 

Our volunteer Lalit Mohan who initiated , planned and followed up the entire tour called it ' Paharon ki god mein '!
A new and enthusiastic volunteer Parvez Ahmed ( based in Srinagar ) accompanied the artistes throughout the tour and we are hoping to do a similar circuit in Chakrata and Tehri early next year . 



Since April 2011 , SPIC MACAY has conducted 223 events in Uttrakhand ,reaching out to more than 1 lakh students .
With best wishes  for the season and the new year !

Saturday, December 3, 2011

Mahua Shankar who will be visiting the valley on 9th December, 2011



Mahua is disciple of the legendary figure of Indian classical dance, Padma Vibhushan Pandit Birju Maharaj, Mahua started learning dance at the age of five. Her father, the late Shri Pradeep Shankar, and her mother, Smt. Rekha Shankar, were her first gurus. Mahua was also trained under guru Smt. Reba Vidhyarthi and Smt. Vaswati Mishra. Awarded with the “Shringar Mani” 2007 from Sur Shringar Samsad – Mumbai .Mahua Shankar has danced, to great acclaim, in several prestigious festivals. As a young dancer, she has also had the distinction of performing in Rashtrapati Bhavan, before the then President of India, Dr. A. P. J. Abdul Kalam. Have performed with Pandit Birju Maharaj in his major productions in many prestigious festivals and has travelled extensively in India and abroad. Has to her credit dance sequences in two major films, “Gaddar” with Sunny Deol and Amisha Patel and “Devdas” with Shah Rukh Khan, Aishwarya Rai and Madhuri Dixit.


Kathak is one of the classical dance styles of India. It is a characterized by fast footwork (tatkar), spins (chakkar) and expression (abhinaya). Kathak has a long history having been influenced first by the narratives by kathakas or ancient bards, and subsequently by temple dances, the bhakti movement, and then by the Mughal and later courts from the 16th century onwards.





Tuesday, November 22, 2011

Spicmacay Dehradun is going to host a concert of Ustaad Sthehujaat Khan and he will be accompanied on Tabla be Shri Arunangshu Chowdhury and Shri Shankar Debnath. The event will be hosted at Mahar Academy from 05:00 PM on 24th of November, 2011.

Here are a series of videos which speak lengths about his talent, and leave no words to be written on the post. Hope you enjoy them and wish to see him!


Shujaat Khan sings Amir Khusrau



Shujaat Khan Sings Lajo Lajo



Ghazal by Ustaad Shujaat Khan

To know more about the even details do visit our facebook page!

Wednesday, September 28, 2011

Purulia Chhau Dance


The Chhau dance of Purulia district is one of the most vibrant and colourful art forms. Emerging from martial practice, the Purulia Chhau is a vigorous form of dance drama that draws its themes from the two great Indian epics, The Ramayana and The Mahabharata.

Masks and elaborate headgear are the ornamental apparels of the Chhau dancers. The dance is believed to date back to over a century, though the specific date of its origin cannot be definitely ascertained. The accompanying musical instruments include the Dhol, Dhamsa and Shenai.




In a Chhau Dance the fight between good and evil always culminates in the triumph of good over destructive evil. The elaborate masks, the dazzling costumes, the rhythmic drum beatings and shenai, characterise the Chhau Dance.

A distinctive feature of this dance is the acrobatic use of the body and the intricately crafted masks worn by the dancers. Powerful movements, immense concentration and release of energy are the other features of this dance.

The masks help the dancers to portray different characters. There are masks depicting particular Gods and Goddesses, demons and monsters. There are also interesting masks for different animals like the lion, tiger, bear, monkey and so on. These finely-crafted masks are made by the painter artistes of the district. With the face covered by a mask, it is left to the dancers to emote using their bodies. Movements and postures therefore serve both to portray emotions and make the dance lively.


One of the most popular presentations of the Purulia Chhau Dance is Mahisasur Mardini. Oppressed by the tyranny of the Mahisasura, the Gods pray to Goddess Adyashakti Mahamaya who takes the form of Goddess Durga, Durgatinashini and after a fierce battle with Asura, finally slays him.

Wednesday, August 18, 2010

Classical Vocal by Kalapini Komkali

24th August 6:00 PM Concert , The Doon Girsl School

25th August 5:30 PM concert Bhatkhandy Music College

26th August 10:30 AM concert Brooklyn School

27th August 6:00 PM concert Welham Girls' School

28th August 10:30 AM concert The Heritage School

29th August 5:30 PM concert . Bhagwan Singh Inst of Bio Medical Sciences

30th August 5:30 PM HIMALAYAN INSTITUTE OF MEDICAL SCIENCE

31st August 11:30 AM TIMES WORLD SCHOOL , Nazibabad

31st August 7:30 PM GB PANT ENGINEERING COLLEGE , PAURI, GARHWAL

24th -28th August 2:30 - 4.40 PM Workshop , Welham Girls' School


Kalapini, daughter and disciple of Pandit Kumar Gandharva & Vidushi Smt. Vasundhara Komkali is a prominent name amongst practitioners of Indian Classical Music. She has inherited from her distinguished parents not only the techniques and grammar of her art but also a capacity for creativity and reflection. She combines special features like gunjan (continuum) and the playfulness of Vasundharaji with the aaghat (emphasis) and razor sharp precision of Kumarji.

Her musical lineage is most evident in the central emphasis on bandish (composition), its meaning or bhava, and in the studied restraint which does not allow the notes or laya (tempo) to overwhelm the lyric. Layakari (playfulness with tempo) is used sparingly to augment the meaning and rhythmic balance of the composition. The full melodic range and capability of the voice are hinted at but never allowed to dominate by sliding into vocal acrobatics.

.Kalapini lives in Dewas, centralIndia. She is an active trustee of the Kumar GandharvaSangeetAcademy, which has been formed to present and promote his work. She was honoured with the Kumar Gandharva Award by the prestigious Pujari Pratishthan of Pune. And she has received an award-scholarship from the Department of Culture, Government of India.

Commercial releases of her studio recordings include "Aarambha" and "Inheritance", released by HMV; and "Dharohar" released by Times Music. "Swar-Manjiri", a live concert recording was released recently by Virgin Records. Kalapini has also recorded for the sound tracks of the films "Paheli" and "Devi-Ahilya".

Kalaapini has traveled extensively through India and abroad. Her highly prestigious performances are:-SawaiGandharva festival, pune Days of Delhi-(India) in Moscow-Hall of international music.Ritburgh musium,ZurichAllarakha music academy,Basel, SwitzerlandHarballabh Sangeet Samaroha, -Jallandhar- (oldest music festival of India)