Wednesday, July 30, 2008

BEGINNING OF SPICMACAY

An idea originates and finds someone through whom it can manifests itself. That fortunate someone, experiences during the birth process, a feeling which is beyond description. Imagine for a moment that you are witnessing the creation of the universe.The "big bang" of SPIC MACAY came in 1972 at a concert of Ustad Nasir Aminuddin Dagar and Ustad Zia Fariduddin Dagar at the Brooklyn Academy of Music in New York. After a few sporadic concerts (notable amongst them was that of Ustad Ali Akbar Khan) at Columbia University, New York, under the aegis of the India Club of Columbia University during the period 1972-76, the idea took a more defined direction in 1977 in India. However in 1979, a two-day programme again at IIT Delhi of Ustad Bismillah Khan, Dagar Bandhu, Ustad Amjad Ali Khan and Ustad Sitahid Parvez turned out to be a marginal success. MEFYS( Mechanical Engineering Final Year Students) organized the programme. It was at this programme that the name SPIC MACAY was first launched and the aim expressed was not to fight Westernisation but the process of deculturisation.

Monday, July 28, 2008

National Convention at Kohima


The incessant monsoon rains, the mist rising from the valley, the mystical clouds looming over the hill’s virgin forest; in such an ambience of Kohima, witnessing the spiritually elevating performances of great maestros at the annual convention of SPIC MACAY, certainly left an inspiring and over-lasting imprint on the mind of everyone present.
Enthralling performances were then presented to the audience comprising of over 800 youth delegates from different schools and colleges across the country and more than 200 youth representatives from the North East. Various folk dance and music groups of North East participated in the programme including Thangta Pung Cholum of Manipur, Rikhampada of Arunachal Pradesh, Bihu and Conch of Assam, Bamboo dance of Mizoram, Wangala dance of Meghalaya, Hozagiri of Tripura, a children’s group from Naga Sumi tribe and concluded with a fusion dance of North East. The first day afternoon events included elevating vocal recital by Pt. Ulhas Kashalkar and Carnatic Violin recital by Mysore Brothers.

The next five days witnessed inspiring performances by various eminent artists including Pt. Hariprasad Chaurasia, Us. Fahimuddin Dagar, Pt. Rajan and Sajan Mishra, Pt.Viswamohan Bhatt and Smt. Bombay Jayashree to name a few. In addition lecture demonstrations were conducted providing a platform for interaction with renowned personalities like by Smt. Anjolie Ela Menon, Sh. Dadi Pudumjee, and Sh. Raghu Rai. Delegates also got an opportunity to learn in the intensives (workshops) of leading exponents such as Us. Abdul Rashid Khan (Vocal), Sh. J. Gurappa Chetty (Kalamkari), Smt. Suryamukhi Devi (Manipuri) and Su. Kapila Venu (Kutiyattam).

Society for Promotion of Indian Classical Music and Culture Amongst Youth

SPIC MACAY seeks to conserve and promote an awareness of this rich and heterogeneous cultural tapestry amongst the youth of this country through focus on the classical arts, with their attendant legends, rituals, mythology and philosophy and to facilitate an awareness of their deeper and subtler values.